bigbadtrish.com: The Online Home of a Director Who Defies Every Rule

Author : telewizja 1 | Published On : 17 Jul 2026

Why This Website Feels Unlike Any Other Director Portfolio

Most director portfolios feel like resumes with a reel attached. They list credits, show clips, and move on without revealing much of the person behind the work. bigbadtrish.com does something entirely different and far more interesting. The site feels like walking into the creative mind of someone who genuinely loves what they do. It is warm, direct, and immediately personal in a way that most industry websites never manage to be. You get a real sense of Trish Sie within the first few seconds of landing on the page. That kind of authenticity is rare in an industry that often values polish over personality. This is a portfolio that breathes and moves just like the work it represents.

What bigbadtrish.com Actually Is

bigbadtrish.com is the official portfolio and creative hub of director Trish Sie. It is the place where her music videos, commercials, short films, and feature films all live together under one roof. The site is organized simply and confidently without unnecessary clutter or complicated navigation. Visitors can explore her biography, browse her full body of work, read her blog, and get in touch directly. Everything about the site reflects the same clarity and intentionality that defines her filmmaking style. There are no hollow buzzwords or vague creative statements filling up the page. Just honest, direct communication from a director who knows exactly who she is. That confidence translates immediately and powerfully to everyone who visits.

The Story Behind the Director

Trish Sie did not begin her career behind a camera. She spent a decade as a professional dancer, championship ballroom competitor, and choreographer before ever picking one up. That background in movement, rhythm, and physical storytelling became the foundation of everything she would later create on screen. When she finally stepped into directing in 2006 it was not through a traditional film school path. She created, directed, and produced her first music video using a borrowed camera and ten days of treadmill rehearsals. That video changed everything — for her, for OK Go, and for the entire landscape of music video filmmaking. The story is remarkable not just because of how it ended but because of how plainly and bravely it began.

The Treadmill Video That Started Everything

In 2006 Trish Sie directed OK Go's "Here It Goes Again" — the now legendary treadmill music video. She rehearsed the routine with the band for ten days at her dance studio in Orlando, Florida. The video was shot in a single uncut take using a friend's borrowed camera with no elaborate production budget. It went on to win a Grammy Award for Best Short-Form Music Video and became one of the most watched videos of its era. What made it extraordinary was not the treadmills. It was the precision, the timing, the joy, and the sheer confidence of the execution. That single video established Trish Sie as a director with a genuinely singular and unmistakable voice. Everything that followed was built on that bold and beautifully simple foundation.

OK Go and the Art of the Impossible Music Video

The collaboration between Trish Sie and OK Go produced some of the most celebrated music videos ever made. Each project pushed further into territory that most directors would never attempt or even consider. "Upside Down and Inside Out" was shot entirely in weightlessness aboard a plane simulating zero gravity. It accumulated more than 47 million views in its very first week online and was praised globally. The video won multiple Cannes Lion Awards including Silver Lions for Excellence in Music Video and Film. Each OK Go video became a cultural moment that extended far beyond the usual reach of a music video. Trish approached every one of these projects with the same playful seriousness that defines her entire body of work. The results speak for themselves in a way that very few directors can honestly claim.

From Music Videos to the Big Screen

Success in music videos opened doors to larger and more ambitious projects for Trish Sie. She directed her first feature film Step Up All In for Summit and Lionsgate, released in 2014 in native 3D. The film grossed more than 90 million dollars worldwide and earned strong praise for its choreography and energy. The LA Times noted that she packed her dance scenes as tightly as beads on a necklace — a perfect description of her precise and rhythmic visual style. She then took on Pitch Perfect 3 for Universal Pictures, released in December 2017. The New York Times called it a fantastical buddy comedy and Variety praised its sharp blend of humor and heart. Moving from viral music videos to major Hollywood releases without losing her voice is no small achievement. Trish Sie managed it with the same confidence she brought to that very first treadmill shoot.

Commercial Work That Carries Her Signature

Between music videos and feature films Trish Sie has built an impressive body of commercial work. She has directed ads for major global brands including Levi's, Haagen-Dazs, Sony, Old Navy, Dole, and Carl's Jr among others. Her commercial work carries the same playful energy and precise visual intelligence that defines her narrative projects. Clients choose her because she brings something genuinely different to the brief every single time. Her background in dance and movement gives her a physical understanding of space and timing that most commercial directors simply do not have. The result is advertising that feels alive rather than merely produced. Her work has been recognized at the Cannes Advertising Festival and featured in Saatchi and Saatchi's prestigious New Director's Showcase. That kind of recognition does not come from playing it safe or following anyone else's formula.

Awards and Recognition That Tell the Full Story

The awards wall at bigbadtrish.com tells the story of a career built on genuine creative courage. Trish Sie won a Grammy Award for Best Short-Form Music Video for OK Go's "Here It Goes Again" in 2006. She received a Smithsonian Ingenuity Award in 2016 for her groundbreaking music video work with OK Go. The Cannes Lion Awards recognized her multiple times across different categories for different projects. She received a Gold Film Lion for Interactive Film and a Gold Cyber Lion for Best Video among many others. Her short films have screened at prestigious festivals including BAM, the Atlanta Film Festival, and the NYC Indie Film Fest. These are not participation awards or industry favors. They are the result of a director consistently choosing the harder and more interesting path every single time.

The Short Films That Show Another Side

Beyond the big budgets and global viral moments Trish Sie also creates intimate and personal short films. Being Dennis won Best Short Film at both the LA Arthouse Film Festival and the Intendence Film Festival in Denver. Not Alone has enjoyed strong success on the festival circuit and continues to find new audiences. Her newest short The Big Breakup deals thoughtfully and directly with America's complicated relationship with guns. These films show a side of Trish Sie that the music videos and feature films only hint at. She is not just a director of spectacle — she is a storyteller with something real and important to say. The short film work proves that the playfulness in her commercial projects is always anchored by genuine depth and intention. That combination of lightness and substance is what makes her voice so consistently compelling and worth following.

The Blog That Makes bigbadtrish.com Essential Reading

One of the most genuinely valuable parts of the site is the blog that Trish Sie maintains and updates regularly. It covers two areas that matter deeply to working and aspiring filmmakers everywhere. The first is practical direction and movement — covering everything from directing actors to choreographing crowd scenes to controlling pace. The second is ideas, business, and survival in the industry — covering pitching, creative burnout, budgeting, and building a sustainable career. The writing carries the same voice that runs through all of her work — direct, warm, funny, and completely free of pretension. She shares real experience and hard-won insight without wrapping it in industry jargon or hollow inspiration. For anyone serious about filmmaking the blog alone makes the site worth bookmarking and returning to regularly. It is the kind of creative generosity that is genuinely rare from someone working at her level.

Practical Direction and Movement: A Blog Category Worth Your Time

The Practical Direction and Movement section of the blog is particularly rich and useful for working directors. Posts cover how to think musically about the pace and rhythm of a scene — something Trish Sie understands better than almost anyone. There is guidance on how to direct introverted actors and manage eccentric performers under real on-set pressure. Another post explores how to turn everyday props into powerful and memorable storytelling tools. Choreographing complex crowd scenes without losing creative or logistical control is also covered in depth. Each post draws directly from Trish's real experience across hundreds of shoots spanning music videos, commercials, and feature films. The advice is practical, specific, and completely grounded in the realities of professional filmmaking. Readers come away with tools they can actually use on their very next project.

Ideas Business and Survival: The Other Blog Pillar

The Ideas Business and Survival section tackles the parts of a filmmaking career that film school rarely prepares you for. There are posts on how to pitch a genuinely crazy idea to producers who instinctively prefer safe ones. Creative burnout is addressed honestly and helpfully — what it feels like, what causes it, and how to move through it. Another post explores how to scale a creative brand from viral music videos to Hollywood without losing the essential voice that made you interesting in the first place. The business side of filmmaking is covered too — why modern filmmakers need to understand marketing and distribution as well as they understand their camera. These are real conversations that working professionals need to be having and rarely find addressed this honestly. Trish Sie writes from lived experience and it shows on every single page of this section.

Pilobolus and the Dance World Connection

Trish Sie's connection to the dance world has never been just a biographical footnote — it remains an active and living part of her creative life. She is a recurring creative collaborator and choreographer for Pilobolus, the internationally celebrated and innovative dance company. This ongoing relationship keeps her deeply connected to the physical and spatial intelligence that distinguishes her filmmaking from that of her peers. Working with Pilobolus means constantly thinking about bodies in space, about weight and momentum and surprise. Those ideas feed directly back into everything she directs — from the smallest commercial to the largest feature film set. The dance world and the film world are not separate things in Trish Sie's practice. They are two expressions of the same creative impulse toward movement, rhythm, and genuine human connection. That integration is part of what makes her work so consistently alive and kinetic on screen.

How to Connect and Work with Trish Sie

The site makes it straightforward and easy to understand how to reach Trish Sie for professional projects. Commercial work is handled through Bob Industries, reachable at 310-396-7333 for interested brands and agencies. Narrative projects including film and longer form work are represented by United Talent Agency at 310-273-6700. There is also a direct message form on the site for those who want to get in touch more personally. The contact information is presented clearly and without unnecessary gatekeeping — which feels very much in keeping with the spirit of the whole site. Trish Sie is a director who is genuinely open to conversation and collaboration at every level of the industry. Whether you are a brand looking for a campaign or a producer with a project the path to her door is clearly marked. That accessibility is a real and meaningful part of what makes bigbadtrish.com feel different from most director sites.

Why bigbadtrish.com Is Worth Bookmarking Right Now

There are a lot of filmmaker websites on the internet. Most of them are forgettable within minutes of leaving them. bigbadtrish.com is not that kind of site and Trish Sie is not that kind of director. It is the online home of someone who has spent decades doing things that nobody else thought were possible and making them look effortless and joyful in the process. The portfolio is genuinely inspiring, the blog is practically useful, and the biography is the kind of creative origin story that reminds you why storytelling matters in the first place. Whether you are a filmmaker looking to learn, a brand looking for a collaborator, or simply someone who loves great visual work this site has something real to offer you. Bookmark it, read the blog, watch the videos, and come back often. The work keeps growing and so does the conversation happening around it.